You Have All You Need

More. But why? Look around; you have all you need.

Your entire being a vehicle, designed for survival and for thrive, for experience and for expression.

No more gimmicks, no need for external aid, be gone with the thought ‘with this there is more’; look within and you will find that you have all you will ever need.

With what you are, you are enough.

‘But what I want is to relax.’ Sit still and observe your being within the world around, allowing yourself this simple, righteous pleasure. You’re here and here you are able.

‘But what I want is to learn.’ Go where your nature directs you and open your mind, taking it all in, taking with you what you will. You’re here and here you are able.

‘But what I want is to feel.’ Allow your senses to succumb to the raw sensations of now, letting go of your attempt to make it anything else. You’re here and here you are able.

‘But what I want is to progress.’ Know how it is you want to first, then aim and pursue, but willing to fail along the way. You’re here and here you are able.

‘But what I want is to love.’ Do so, the ways you know, and the was you want to try, unafraid to be afraid, inhibitions met but also overcome. You’re here and here you are able.

‘But what I want is to live.’ You are, and you must, right now, the ways that you want and along with the changes of those ways. You’re here and here you are able.

No more gimmicks, no need for external aid, be gone with the thought ‘with this there is more’; look within and you will find that you have all you will ever need.

With what you are, you are enough.

You’re here and here you are able.

The Situation and the Story

How did you come across the book?

… I have no idea! I don’t remember. Probably… graduate school? I may of come across it… oh, you know what… OK… I remember, sorry! This was recommended to me by Rob Spillman who’s one of the editors at Tin House News, also a sometimes professor at Columbia University in the writing program.

So far, what perspective have you gained from this book?

Ooh! Um… I feel like I have to pull my notes out! One of the biggest takeaways for me, because this is a book about essay and memoir, its about personal narrative, and one of the biggest takeaways for me is that an essay is exploring a topic through the lens of the narrator’s persona, whereas a memoir is exploring the narrator’s persona through different topics outside the narrator. And so, that really gave me a lot of perspective on my own writing and in ways that I could kind of come at the self obliquely through other topics.

Would you recommend it, and if so, to who and why?

I would recommend it to somebody who is probably a later writing student, or an experienced writer. The first time I read it, it went over my head a little bit, and so, I’m not sure that it would be helpful for many people, but, there is a great reading list kind of worked into it because she goes through all of these different examples of essays and memoir and personal narrative in the book. But, I’d probably save it for somebody who’s stuck on their current writing project.